Издательство Планета Музыки Каденции к фортепианным концертам В. А. Моцарта. Ноты, 2-е и

Издание адресовано студентам-пианистам, концертирующим исполнителям, а также широкому кругу интересующихся фортепианным искусством. Wolfgang Amadeus Mozart (1756–1791) was a brilliant improviser, so he did not always write down the cadenzas. Those cadenzas that Mozart had written down were intended primarily for his sister Nannerl and later for his own students. In total, there are cadenzas to 17 concertos out of 27, including the triple concerto KV 242 in F major and the double concerto KV 365 in E flat major, as well as a small cadenza to Rondo KV 382 in D major. The most integral concept of cadenzas was created by the German composer, conductor and pianist Carl Reinecke (1824–1910), who still in his youth got the fame of the "graceful performer of the Mozart’s works". Not being a composer of a first row (although he composed about 300 opuses), Reinecke became known in many respects thanks to opus 87, which consists of 44 cadenzas to concertos by Mozart, Beethoven, J.S. Bach (D minor) and Weber (E flat major). Of the 35 cadenzas to Mozart’